The Armchair Theologian

The Image of the Nativity Scene

Even in such a vigorously secular country such as Britain, much of our festive artwork and advertising is still littered with scenes from the Nativity; filling greeting cards, Advent Calendars, and shop fronts with the kind of religious iconography which is positively alien to most of us the rest of the year. Given the crass commercialism which is everywhere apparent in our contemporary notion of Christmas, it seems strange that this image of the shabby shepherds huddling around a tatty manger still has resonance in an age of LED Christmas trees and chocolate snowmen. What is it about the birth of this child which still has the power to capture our culture at least artistically? It certainly isn’t the background of the baby that moves us to depict him. Sadly, the surroundings of material deprivation in which Jesus was born is today shared by…

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